Case 15. SIS-II in a Case of Sex Abuse and Somatic Pain
Miss X, 27 years, unmarried, law graduate, practising as attorney,
belonging to high middle-class family, had history of sex abuse at the age of 4 years by a
19-year-old boy, physical relationship with an aged family friend, history of feeling depressed,
wish to leave the family and conflicting parental relationship, was given SIS video for
understanding her personality and therapeutic intervention. Interpretation of a few
responses found to be quite relevant has been given for understanding the psychology of the
case.
A1: She saw ‘A man who looks healthy and
majestic but pretty empty inside’ is a direct projection of how she feels empty inside,
although she looks normal and healthy on the outside. The fact that she conjures up images of a
man rather than of a woman may reflect her sexual identification partially identified with that
of her perpetuator.
A3: Many people while viewing this image introduces
spiritual connotation with it. Here, she directly projects her feeling of wanting to be free of
her past traumatic memories and inner trauma by seeing ‘my soul when will it become
free’.
A5: She viewed ‘a lady who is with all her
heart celebrating alone’. It is direct projection of same sex identification to the human
form. She focuses on the heart because she is introspective and socially withdrawn because of
her pain and depression. It may probably also represent a projection of her mother’s image
that is critical and non-supporting. Her depression is abnormally high, and she has given lot
many responses depicting depression.
A6: ‘A sad teddy bear’ brings back the
theme of sadness or depression almost in a perseveratory fashion. In addition, the response has
repressive features. She totally avoids reference to the human gestalt and focuses instead in a
childlike fashion on a teddy dear.
A10: ‘Blind woman’ is the projection of
her psychological blindness associated with her repressing images of her past sexual abuse. She
also comments that she is getting impatient and needs therapeutic resolution for her
long-standing childhood conflict.
A11: She viewed ‘a needle through the
heart—I want to weep but I won’t’. This is a direct projection of an emotional
pain and depression, the fact that she conjures up the image of a needle penetrating the heart
symbolizes her past sexual penetration and body boundary violation. In commenting on this
horrible response, she for the first time acknowledges to the examiner her depression and need
for emotional catharsis as well as her inability to do so as without therapeutic
assessment.
A12: She viewed ‘can you hear me with your
ears and listen with your heart’. With this question, she directly asks the interviewer if
she will be heard with empathy and compassion. Previous attempt to share her pain as a child
felt on the deaf ears of the parents.
A13: She saw ‘a window hazy with fog with the
centre clear, a handoutstretched asking me to wait. Maybe I should give up’. Here,
she continues the theme of her own reluctance to weep and share her pain with the therapist. She
has learned from the failure of past attempt to share, which were met with frustration, and
further hurt, that the process of attempting to communicate may itself lead to further hurt and
rejection.
A11: The hand symbolizes that part of herself that
‘I won’t allow herself to trust the therapy process’. To remove this
resistance in therapy, it would be necessary to interpret the symbolic significant of this
response in terms of transference. At last, the reference to ‘giving up’ continues
the depressive feelings of her helpless.
A14: She saw ‘a dry flower’ in this
image. Here, rather than recognizing the anatomical structure, she projects herself in the image
as being dead inside.
A18: She viewed ‘a man hanging upside down
with smoke bellowing out of his head and waiting to fall through the dark circle into a
hole’. Many individuals see anatomical contents here such as the heart or image of sexual
intercourse. Because of her sexual trauma and resultant pelvic anxiety, she totally avoided
reference of somatic structure in the video image. The defensive material projected symbolizes
her severe depressive mood and latent death wishes. At times, she fantasizes running away from
her home and escaping from her problems.
A23: She saw ‘looking like a deadly android,
resembles a creepy centipede [scary
feeling]’. Here, the response is
remarkable because of her failure to correctly identify somatic structure, which so clearly
depicts spinal column. There are two possible determinants of somatic repression, one relates to
her past medical history of having fallen four years back injuring her tailbone and
causing considerable pain. The other relate to phallic connotation of this image. While both
hypotheses can lead to heightened body anxiety, symbolic analysis of her defensive imagery
suggests that the later determinant is more noticeable that she saw a deadly ardroid resembling
creepy centipede which is highly threatening to her. Remember that previously in responding to
image, the needle had threatening phallic connotation. A little girl violated by penal
penetration will always carry such negative association to phallic imagery.
A31: In Image A31, she viewed ‘a beautiful
woman looking at her hazy reflection. She is not sad yet contemplative [feeling confused]’. Here, she avoids reference to central content in A31, which
pictorially depicts a man and woman in very close interaction, because this material is highly
threatening to her due to her experience with her male perpetuator. The normative content is
totally repressed. She defends against this structure by substituting image symbolizing herself
in therapy looking at her psychological defence mechanism of denial. The introduction of the
idea that the woman is confused symbolized her own confusion and cognitive disarray.
B3 : ‘Two people sitting inside a womb
overlooking alter of fire.’ Here, fire signifies life [feeling of wonder].
Was her response on this image, Seeing two people inside the womb continue the regressive
theme previously noted on A6, the fire denotes her emotional pain. In this essence, rather
than associating depressive aspects she introduces the concept of life and wonder. This was
positive prognostic implication to therapy and needs to be interpreted to her context. There is
hope for recovery if she is willing to share her pain during therapy.
B6: She saw ‘a half statue girdle downwards
with some infection around the girdle [feeling of
depression]’ in Image B6. Here, she
partially picks up the correct anatomical structure referring to the lower abdomen and thigh.
However, because of her trauma to related pelvic anxiety, she defends against the specific
somatic content by seeing a more abstract image ‘that is, statue girdle’. Here, it
is noteworthy that she projects a pathological anatomical response. ‘Infection’
symbolizes her own inhered genitalia. The facts that this image accentuates her feeling of
depression in responding to the image indicated that she is grieving the loss of her virginity
and body boundary intactness. The assault on a child’s body is not just injurious in a
sexual way but when a perpetuator is a close family friend, the overall ego becomes distorted
and confused just like she indicated in A31. The other explanation could be her repeated
infection in her pelvic region for which she has taken treatment.
B12: She viewed ‘a parrot hanging upside down
trying to fly away’. Here again she totally represses the real structure of the image,
which dents some man’s facial area and nose. Substituting image of a parrot neutralizes
the threat in this image. The fact that the bird is seeing upside down trying to fly away
directory symbolizes the childhood feeling of vulnerability and helplessness to avoid her
perpetuator.
B16: She saw ‘the centipede is back again. I
hate centipede [feeling of filth and
dread]’ in image B16. The significance of
this response is previously reviewed with A23.
B28: She viewed ‘a person hugging a white
coloured pet’. Most individuals who have had experience of positive nurturing mother will
see as a woman holding the child. Here, she defends against by avoiding reference to the
maternal and female connotation of the adult figures seeing only a ‘person’.
Similarly, she avoids reference of the child introducing the image of a pet. Despite this, it
should be recognized that of an image which was loving and affectionate. Frequently, when a
child has not received maternal love, they will turn to pets to meet the need for aggression.
Such individuals with other inkblot tests such as the Rorschach test and the Holtzman test give
higher number of animal responses than the human responses.
B30: She saw once again ‘two ears—can
you hear me?’ on B30, here like in A12, she directly asks the therapist if her inner cry
will be heard and responded to therapeutic alliance and that she is given reassurance that
unlike the past when no one has heard her she will be heard with empathy and compassion now. In
this sense, her inner cry will be heard, and she will have the helpful therapeutic relationship.
Many male therapists because of trust issue prefer to refer such traumatized female patients to
a female therapist.
Here, we have presented two cases of clinical interest. Although the
subjects of both cases are females, it is important to point out that the problem of inner cry
is not only with males or females but human beings in general. It is not limited to any part of
the world, society or culture but is universal in nature. The responses to SIS have been
successful in identifying the inner cry of the individual, which itself is the first step of
therapeutic intervention.
It is important to remember that the projective tests do not have the
so-called objective procedure of interpretation. It is the clinician’s acumen, which is
necessary to interpret a protocol. In the first case study, it was a denial of the problem
initially, but through SIS images and on subsequent enquiry it revealed the roots of the
problems, whereas in the second case study, it was the obvious percepts to unstructured stimuli.
The Rorschach test was tried in the first case but could not reveal much. It could be since
somatic inkblot test is based on the theory of body imagery, whereas Rorschach is largely based
on general perception.